2021 Meg Quigley Vivaldi Competition

January 6-9, 2021
Virtual Symposium
View the Competition Videos

 The Finalists

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Sarah Bobrow

Sarah Bobrow currently attends the Eastman School of Music where she studies with George Sakakeeny. A native of New Hartford, New York, she began playing the bassoon at the age of eleven, studying with Judy Marchione. Sarah has participated in various summer festivals, most recently including the Sarasota Music Festival, Chautauqua Music Festival, Miami Music Festival, and Eastern Music Festival. A devoted chamber musician, Sarah has performed in schools and libraries in the Rochester area, as well as on the Honors Chamber Music Recital at Eastman. During the school year, Sarah performs regularly with the Eastman Wind Ensemble, Eastman Philharmonia, and Harmonie. Additionally, she performed with the Oswego Opera in their 2019 production of Don Giovanni. Sarah is also currently pursuing a Bachelor of Science in Public Health from the University of Rochester.

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Amelia del Caño

Amelia del Caño is a bassoon fellow with the New World Symphony in Miami Beach, Florida. Prior to winning the fellowship in 2019, she graduated with a Master's in Bassoon Performance & Literature from the Eastman School of Music under the tutelage of George Sakakeeny. She has appeared professionally with the Colorado Springs Philharmonic and Rochester Philharmonic Orchestra. Amelia has been invited to several prestigious summer fellowship programs, including the National Repertory Orchestra, Aspen Music Festival and School, and Sarasota Music Festival. Raised in Honolulu, Hawaii and based in Albany, New York, she holds a Bachelor's in Bassoon Performance with distinction from the Eastman School of Music.

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 Lauren Henning 

Lauren Henning is in her final year of undergraduate studies at the Fredonia School of Music and has studied with both Laura Koepke and Marisa Esposito. She is a double major in music education and performance and is planning on pursuing a career in bassoon performance in the future. In the fall of 2020, Lauren was the winner of the Fredonia School of Music Concerto Competition after also being a finalist in the spring of 2019. Also in the fall of 2020, she was awarded a Performer's Certificate, which is a prestigious award to given to a musician who demonstrates excellence in performance. Prior to the COVID-19 pandemic, she was beginning to fill various orchestral substitute positions in the Western NY and Erie, Pennsylvania areas. At school, she enjoys being a member of the bassoon ensemble, participating in a variety of chamber ensembles, and playing new music by composition students at Fredonia. She has been a counselor at the Fredonia Summer Music Festival for middle and high school students, taught private lessons, and is currently the teaching assistant for beginning bassoon class, where college students in the music education program learn about the bassoon. Through these opportunities, Lauren has enjoyed teaching and introducing the bassoon to all of these students and hopes to always be able to share her love of the bassoon with others. After starting her musical career on flute, she began learning the bassoon at the age of 13 and made the full switch to the bassoon at age 14 when she began taking lessons with her current teacher, Laura Koepke.

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Rachael Lee

Born and raised in Taipei, Taiwanese and American bassoonist Rachael Lee began her studies in 2014 under the tutelage of I-Hsiu Chen, Associate Principal Bassoon of Taiwan’s National Symphony Orchestra. As a soloist, Rachael has been a recipient of numerous awards. In 2019, she was selected as one of three finalists for the International Double Reed Society’s Norma Hooks Young Artist Competition. Additionally, in 2017, she was awarded first place in bassoon performance for both the Taipei regionals and Taiwan nationals of Taiwan’s National Student Competition. She has also enjoyed performing in masterclasses for esteemed bassoonists such as Frank Forst, Suzanne Nelsen, Richard Svoboda, Christopher Milliard, and Richard Ranti. An active orchestral musician, Rachael currently holds the Principal Bassoon position of Symphony in C. She has also attended many summer music festivals in the United States. Most recently, as a 2019 Tanglewood Music Center bassoon fellow, she appeared in various TMC Orchestra and Chamber Orchestra performances — including a performance as solo bassoon in Bach’s Cantata BWV42, conducted by John Harbison. In previous summers, Rachael has participated in Boston University Tanglewood Institute’s Young Artists Orchestra, Curtis Summerfest, and Eastman Music Horizons. As part of the IASAS and AMIS festivals for International Schools, she was also selected to travel and perform internationally as a soloist, chamber musician, and orchestral musician in countries such as Indonesia, Philippines, and Qatar. In high school, Rachael was the recipient of the John Philip Sousa Band Award and the Patrick S. Gilmore Band Award, as well as graduating with academic distinction. Rachael is currently in her third year at the Curtis Institute of Music, pursuing a Bachelor of Music under the guidance of Daniel Matsukawa, Principal Bassoon of the Philadelphia Orchestra. Apart from music, Rachael enjoys writing, cooking, drawing, and exploring different academic disciplines.

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 Julianne Mulvey

Julianne Mulvey began her musical studies on the flute with her mom and then made the wise decision in the sixth grade to switch to the bassoon. Julianne is now a senior at Rice University’s Shepherd School of Music studying with Benjamin Kamins. For the past two summers, Julianne attended the Tanglewood Music Center, working with members of the Boston Symphony Orchestra and with conductors such as Andris Nelsons and Thomas Adès. In December of 2019, Julianne performed at Carnegie Hall with the New York String Orchestra Seminar as principal bassoon. Previously that year, she won second prize in the Meg Quigley Vivaldi Competition. Julianne attended the Texas Music Festival in 2018 and was a finalist in the Cynthia Woods Mitchell Young Artist Competition. In 2017, she appeared on the National Public Radio show From the Top which was taped in front of a live audience in New England Conservatory’s Jordan Hall. Outside of the concert hall, Julianne enjoys drinking bubble tea and experimenting with baking. Her past teachers include Richard Svoboda and Neil Fairbairn.

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  Thalia Navas

Thalia Navas, originally from Ottawa, Canada, is currently a junior at the Juilliard School studying with Kim Laskowski. In 2019, Thalia won the National Arts Centre Bursary Competition and was invited to play the first movement of Mozart’s bassoon concerto with the NAC Orchestra during their Christmas Fanfair concert. This past summer, she was selected as a bassoon fellow at the Tanglewood Music Center. Previously she was part of the 2019 National Youth Orchestra of Canada where she toured Spain and Canada. Thalia was also a member of the 2019 New York String Orchestra Seminar where she performed two concerts in Carnegie Hall under the baton of Jaime Laredo. Her past teachers include Joann Simpson, and Christopher Millard of the National Arts Centre Orchestra.

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 Tatia Slouka

Tatia Slouka is a junior at the Eastman School of Music where she studies with George Sakakeeny. She began playing the bassoon in 6th grade studying with Roger Soren. Tatia won her first concerto competition in 8th grade and has competed in others across the country since then. At Eastman she performs with the Eastman Philharmonia and Eastman Wind Ensemble. Tatia plays with the Barbershop Wind Quintet and her reed trio, Trio Divertissement, both of which perform regularly at Eastman and in the surrounding community of Rochester, NY. In past summers Tatia has attended National Orchestral Institute 2020, Sarasota Music Festival 2019, American Institute of Musical Studies Graz 2019, Domaine Forget 2017/2018, National Youth Orchestra USA 2017, and National Symphony Orchestra’s Summer Music Institute 2016.

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 Quincey Trojanowski

Quincey Trojanowski, 19, is a sophomore undergraduate at the University of Texas at Austin’s Butler School of Music, studying bassoon performance with Kristin Wolfe Jensen. She is from the Chicagoland area and began playing bassoon in fourth grade after falling in love with the instrument at first sight. She has been a member of the UT Austin Symphony Orchestra, UT Austin Wind Ensemble, the National Youth Orchestra of the United States of America, the Chicago Youth Symphony Orchestra, and the Merit School of Music. In the past, she has studied with Miles Maner and Drew Pattison. Quincey has also played in masterclasses with Fei Xie, Keith Buncke, Daniel Matsukawa, Benjamin Kamins, Rian Craypo, and William Ludwig. She has had significant chamber music experience in the past as well. She was a member of a wind trio that twice received the Fischoff National Chamber Competition's Junior Division Wind Prize, and has received 1st and 3rd Junior Division prizes at the M-Prize International Chamber Music Competition. In her spare time, Quincey loves painting, drawing, biking, cooking, and–most of all–traveling. Quincey's passion for traveling started when she played in Carnegie Hall and toured China, South Korea, and Taiwan with the National Youth Orchestra of the United States of America in 2018. Later, in 2019, she also toured Finland, Sweden, Estonia, and St. Petersburg Russia with the Chicago Youth Symphony Orchestra. She hopes to be able to travel the world as a professional musician, and connect with as many people as possible along the way through music.

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Sandra Vieira Ribeiro

Sandra Vieira Ribeiro started her bassoon studies in 2011 at the age of 16 at the Municipal School of Music in São Paulo with Alexandre Silverio. The following year she joined the Experimental Repertoire Orchestra where she stayed for four years, serving as Young Soloist in her third year. She has participated in the International Winter Festival of Campos Do Jordão, where in 2017 she received an Honorable Mention as a soloist of the Festival. She has performed in masterclasses with Klaus Thunemman, Fábio Cury, Benjamin Coelho, Afonso Venturieri, Martin Kuuskmann, and Ronaldo Pacheco among others. She graduated from the Osesp Music Academy, studying with Alexandre Silvério and Romeu Rabelo. At the academy she had the opportunity to play concerts with Osesp. In 2017 and 2018 she played bassoon in the Paraná Symphony Orchestra. She was one of the winners of the Osesp Young Soloists Contest and had the opportunity to be a soloist with Osesp in October 2019. Since 2019 she is the first bassoon of the São Pedro Theatro- São Paulo Orchestra.

Laressa Winters 

Laressa Winters is a native of Columbia, Maryland. She started playing bassoon in the sixth grade, when her band director made her try the instrument. After a year of playing, Laressa also decided to pick up the tenor saxophone, as she had a desire to join her school’s jazz band. During her high school years, she was principal bassoon in the Baltimore Symphony Youth Orchestra, as well as Maryland All-State Bands and Orchestras on both bassoon and saxophone. In the summer of 2018, Winters performed with NYO2 during their tour to Miami Beach and New York City, where they played at the New World Center and Carnegie Hall. Along with playing in orchestra, Laressa loves to play chamber music, and was part of the Baltimore Symphony Youth Orchestra's Woodwind Quintet for five years. Since 2019, Laressa has been attending Oberlin College and Conservatory. Now in her second year, she is studying under the tutelage of Drew Pattison. Previously, Winters studied with Monica Schwartz throughout high school. In her spare time, Laressa loves to bake and go on runs in the morning.

 Preliminary Round Repertoire

  • Antonio Vivaldi: Concerto in a minor, RV 498 (any edition)
    Record this without accompaniment for the preliminary round.

  • José Siqueira: Three Etudes for Bassoon and Piano (Preliminary Round only).
    Record this without accompaniment.

  • Applicant's choice of one of the following unaccompanied pieces:

    • Solo for Bassoon Alone by Nicole DeMaio

    • Zinfandel by Reena Esmail

    • Ghost Dance by Ann Gebuhr

    • Bassoon Set by Adolphus Hailstork

Final Round Repertoire

  • Antonio Vivaldi: Concerto in a minor, RV 498 as soloist and orchestra, using the bassoon quartet arrangement provided by Meg Quigley (this item will require recording all of the parts separately and editing them together, as described above)

  • Movement 3 of Natalie Moller's Translations (unaccompanied)

  • One piece chosen from the following list:

    • Solo for Bassoon Alone by Nicole DeMaio

    • Zinfandel by Reena Esmail

    • Ghost Dance by Ann Gebuhr

    • Bassoon Set by Adolphus Hailstork

 Preliminary Round Judges

 Final Round Judges